September
James Lapine and Stephen Sondheim take everyone’s favorite storybook characters and bring them together for a timeless, yet relevant, piece… and a rare modern classic. The Tony Award-winning book and score are both enchanting and touching.
Cast Bios
At her core Rapunzel is a young woman seeking to find a true sense of self beyond her relationships to others. I have been lucky enough in my life to know who I am; an actor, a writer, a singer, a dancer, and most of all an independent young woman forever searching for deeper meaning. If nothing else, please know that I am more than just a fair maiden with really nice hair.
Rapunzel’s Prince is no different. Once he has what he wants, he doesn’t know what to do with himself. He lives his life in “the chase”, and is lost without it. He reminds me of a quote from Dostoevsky’s Notes from the Underground, “Perhaps the only goal on earth to which mankind is striving lies in this incessant process of attaining . . . and not in the thing to be attained”. I find myself relating to Rapunzel’s Prince, having just graduated college. I’ve spent so long working toward that goal, and now that I have it, the path is a lot less clear. I sometimes wish there was a reset button on life. I frequently get lost in the “What could have been”s, but I think Rapunzel’s Prince shows us why the restart might not be the best option. Best to learn to love what we have instead of always lusting for more.
And what I have is a loving family that supports me in writing my next chapter, wonderful friends that I made along the way, a job with Brown County Shelter Care that allows me to share my story with the next generation, and hobbies and passions that can take me on new adventures at any time.
Hopefully you will listen as I try to keep my little world in one piece and help my fellow villagers get what they most wish for, as well as my own wish. After all, a little magic never hurt anyone.
Outside of my beautiful garden, I work as a princess, entertaining at birthday parties and volunteering at events. It is not my first time on the stage, however it is my first time performing with Forrst and I am loving every last second. It is such a thrill to finally step into the role I’ve been dreaming of, and with such a talented bunch of fairytale folk.
Not unlike the witch, I take great pride in my loved ones and I am so happy they always pushed me and encouraged me to keep performing, even on days I didn’t think I would succeed. Their support is why I’m here today.
I hope you enjoy the show and remember, careful the tale you tell. That is the spell.
Little Red, to me, represents innocence, confidence, a childlike view of the world, a light in a dark time. For me, playing Little Red represents growing up, new experiences, learning, a lifelong dream come true, a light in a dark time.I want to thank Michael and David for giving me a chance to play a role that means so much to me, my parents for driving me out to the middle of nowhere every day (and for always believing in me I guess,) my castmates for making me feel so welcome and comfortable in a space that’s brand new to me, my friends and wonderful partner for putting up with my insane schedule, and everyone reading this, for supporting live theatre, and someone’s dream.
Sam Oswald (Wolf) returns to the FORST INN stage for the fourth time in a small, yet meaty role. He was hungry—like a wolf— to participate in this show. It’s interesting to be able to step into a role that at face value encompasses the motivations of a hungry beast. Adding an anthropomorphic element changes the complexity of motivation. Not only is the wolf hungry for satiety, but also for power. Even further, he seems to relish a masquerade of bravado and friendliness; a wolf in sheep’s clothing, a conman. The challenges putting on such a well known and involved show are met with a breadth of local talent, some of whom are first timers. One will be pleased to find that these challenges are met with aplomb from a dedicated cast and crew. There is much to be proud of.
The second memory is culled from a legendary “Schaller Family Story” as only my mom could tell. The telling of a family story by my mother was never succinct. Later in life we kids took great delight in teasing mom about the inordinate amount of back-story she would include in the narrative of each family story. But that’s another story . . . I am the youngest of five kids. My three oldest siblings are 9-11 years older than me. As the story goes, when the oldest, Heidi, learned to read, she would sit on the back steps of the family home and read Little Red Riding Hood to her two (at the time) enraptured sibs. And the story began, “One ponced a time . . . “ Another part of this family story includes Heidi, in a serious narrator voice at the point in which the Big Bad Wolf is about to spring his trap on Little Red, delivering the line, “and a crappy smile crept over his face.” For this production of Into The Woods, as the Narrator I’m the one who gets to deliver the ubiquitous story starter line not once, but twice! How cool is that?
Outside of the Forst Inn, I work a job in the service industry. I try my darndest to do a good job, but some days are so overwhelming, it doesn’t seem like the effort was worth it. When it comes to the fictional character of the Steward, I know that he is treated poorly by Cinderella’s Prince and that he is undervalued for the work he does. Perhaps the Steward was aspiring to do his job well, but all of his efforts were undercut and dismissed until he had no inspiration to do a good job anymore. When morale is low, why put in the effort? It is a personal conflict I deal with all the time. Personality wise, I feel like the character of the Steward reflects the same low amount of respect and bitterness as he receives from his superior and others.
I think the Steward shows what someone can turn into if they are not given the respect they deserve and they internalize the discouragement into bitterness and apathy, only doomed to pass it on to others. This character of course is only one of many, and his story is only one of plentiful lessons to be learned in “Into the Woods”. I already know that I am among a wonderful cast full of talented people, and I hope that this presentation of “Into the Woods” is one to be remembered ever after!
Artistic Team
Directed by Michael Sheeks.
Vocal Music Direction by David Bowman
Costumes by Claran LaViolette
Properties by Phillip Jindra and Tessa Jindra
Scenic Painting by Lisa Heili
Painting Crew: Kenny Thompson, Alex Stylinson, Missy Wendorf, Sara Schaller
Stage Management by Jeff LaFond
Backstage Consultant: Hannah Otto
Board Liaison: Tessa Komorowski Jindra
House Manager: Shannon Paige
Photography: Tessa Komorowski Jindra




















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